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harbinger | noun
har·bin·ger | \ˈhär-bən-jər\
1. one that initiates a major change: a person or thing that originates or helps open up a new activity, method, or technology; pioneer.
2. something that foreshadows a future event : something that gives an anticipatory sign of what is to come.
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Banksy is one of the most famous – and mysterious – artists in the world.
A street artist who emerged in the 1990s, Banksy is believed to be from Bristol, England, but has never publicly revealed his (or her) identity, choosing instead to remain anonymous while creating politically charged graffiti and installations in public spaces.
Banksy’s work often combines dark humour with sharp social commentary, addressing issues such as consumerism, war, capitalism and government control.
One of the artist’s most iconic works is Girl with Balloon, a simple yet powerful image of a child reaching for a heart-shaped balloon, which first appeared in London in 2002.
There’s also the Dove of Peace in Bethlehem, which appeared in 2005, in which a dove wearing a bulletproof vest is targeted by a laser sight, highlighting the fragility of peace in war.
For years, there have been several different leading theories regarding Banksy’s identity, including them being a woman or a group of people.
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Reuters published a lengthy investigation in March, pointing to a British man from Bristol called Robin Gunningham – who later took the name David Jones – as the famous graffiti artist.
The report also says that Robert Del Naja, frontman of English band Massive Attack, who are also from Bristol, allegedly assisted Banksy by helping to produce his street art and keep his identity hidden. Reuters claim that Jones and Del Naja worked together wearing masks to do their job fast and anonymously.
The claim seems to be confirmed by another episode. Banky’s former manager Steve Lazarides revealed that the artist was arrested while doctoring a Marc Jacobs billboard on a roof in New York City. The Reuters investigation team found the police records of the incident dated 18 September 2000, charged to Robin Gunningham.
However, Banksy’s team has not confirmed that Jones and Del Naja are, in fact, responsible for the famous artworks. But it makes us wonder whether knowing Banksy’s identity would change the way audiences see the art.
The effect of anonymity
For many supporters, the mystery surrounding Banksy was always part of the charm. The anonymity made the artist more intriguing and gave the artwork an extra layer of meaning and value. Instead of focusing on the personal life of the artist, viewers were encouraged to focus on the political messages behind the work itself.
Banksy’s unknown identity is also important because it reflects the themes of the artworks. Many of the pieces criticise war, capitalism, government control and consumer culture.
Remaining anonymous allowed Banksy to become less of an individual celebrity and more of a symbol of protest and resistance.
The mystery also increased the cultural and financial value of Banksy’s work. Collectors and art buyers were not only purchasing the artwork itself, but also buying into the story and unpredictability surrounding the anonymous artist.
One famous example occurred in 2018, when Girl with Balloonpartially shredded itself immediately after being sold for $1.4m at an auction in London, shocking the audience and mocking the commercialisation of art.
Ironically, the event made the piece even more valuable – the shredded work later sold for $25.4m – and reinforced Banksy’s reputation as someone who challenges the art world while still dominating it.
Banksy's ‘Girl with Balloon’ on Waterloo Bridge in London.
Even with the recent investigation, Banksy’s true identity has still not been officially confirmed. Whether or not Robin Gunningham and Robert Del Naja are really behind the artworks, Banksy’s influence on modern street art and political expression remains undeniable.
For instance, in April, a new Banksy piece appeared overnight in central London. A statue of a suited man – walking off his plinth, his face completely covered by a waving flag – popped up on Waterloo Place, St James’s, where a series of statues of military men celebrate Britain’s imperialism and military dominance in the 1800s.
The sculpture’s mockery of blind patriotism was striking and meaningful, as fans pointed out.
In the end, perhaps the bigger question is not who Banksy is, but why society is so fascinated with uncovering the person behind the art.
Born in 2007 in Shanghai, Katie studies in Massachusetts, United States. She is interested in math and art and plans to study data science and economics. For Harbingers’ Magazine, she writes about science, human rights, and culture.
In her free time, Katie enjoys playing squash, reading, and art.
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